Wayside
Finding new paths: A recent work Newsletter
Hello all,
I wanted to switch up my newsletter a bit and so I’ve moved over to Substack. I still plan to post about the work I’ve been doing lately, upcoming news, as well as some of the backstories to these images. I hope you enjoy, and please reach out to me if you’d like to know more about these stories.

“[Art] can be an escape or a protest or a warning. It can give something instead of take something away. It can stop you in your tracks. It can make you hear your own thoughts. Or get out of your own thoughts. Or give you new thoughts. It can agitate or delight or satisfy. It can be a revelation. It cannot change the world but the world would be awful without it.”
- Charline von Heyl
It was a reprieve when I went out to Marfa, TX to visit Charline von Heyl at her studio a few months back. I had been working quick assignments without much time to think and she had given me the entire day to take her portrait. I arrived to her West Texas studio, near the center of the flat and sparsely populated town of Marfa, around mid-morning. I generally take both film and digital cameras with me for portrait commissions and when we paused for a short break I switched over to my film camera. Charline sat down on her couch to drink a Diet Coke and the sun started to spill some of its light onto the shelves behind her that were full of brushes and paints. We talked as we worked and I noticed her body language beginning to relax. The tableau of colors and inspirational clippings that she had left scattered about gave me a glimpse into her working head-space, those things she wanted to be filled up with as she created something new. I felt that her nonchalance and yet watchful curiosity would gather and focus all that chaos around her. After posing for a few images we moved on and continued working throughout the day but I think this image reveals a bit more of her and her process.

This portrait of Dina came about the second time I visited the Sadaat family home. Creative Director of The Texas Observer, Ivan Flores, and I weren’t satisfied with the material I’d gathered on my first visit. It was too straight forward, not engaging enough to accompany the piece written by Jessica Goudeau about the family’s harrowing escape from Kabul, Afghanistan. Ivan urged me to go back, to spend more time. I’m grateful for his direction and we were able to create a series of images that focused on the trauma they were carrying, while still protecting their identity.
Below are a few images I enjoyed making on other assignments these past months. Beto O’Rourke campaigning for the Governor’s seat in Texas for Bloomberg, a natural gas flare out in West Texas also for Bloomberg, and a story on Texas’s newest arrivals for The New York Times.


Thank you for spending some time here with me in this newsletter. I’m based in Austin, Texas and if you’re in the area I hope that our paths can cross soon!
All the best,
— Matthew

